12/10/2023 0 Comments Insync dance groupAt Impulse Dance Project, for example, dancers are prompted to pay special attention to the often-forgotten upper body: “Every class, we do an across-the-floor combo of just synchronized arms,” Madi says. Train your brain to remember the details by thinking about them in class as well as in rehearsals. “Don’t leave any stone unturned.” Denise Heard-Latimer, co-owner of DanceMakers of Atlanta, recommends spending extra time working on unison partnering sections, since angles and transitions tend to get sloppiest when tricky lifts and partnered turns are involved. “By the time you get to the stage, you should be certain of every arm, every head, every angle,” Tafazzoli says. While you’re learning those super-specific counts, it’s important to keep an eye out for the tiny choreographic details that will make your synchronization even sharper. “It’s the transitions that really benefit from clarified counts.” “Everyone knows how to hit a high V on 8,” Bernier says. This often means dividing the downbeat into sections (“1e and a, 2e and a”), so that every single moment gets its own count-even the smallest of transitional steps. The key to synchronization is to be extremely precise about what those counts are. “We’ll break down and practice her counts until everyone is nailing them,” she says. Kasey adds that her coach will sometimes pick out a dancer who is executing a section especially effectively. ![]() “We’ll have all the counts mapped out, but it sometimes makes sense to adjust the original pattern to fit the dancers,” Tafazzoli says. When it comes to actually setting counts for the choreography, most coaches and teachers come prepared with a flexible idea. Rehearsals begin similarly at Impulse Dance Project in Wilmington, NC: “We listen not just for the music’s downbeat, but for all of its different dynamics,” says 13-year-old student Madi Toney. “Counting aloud helps us begin to interpret the piece in the same way,” says senior Rebel Girl Kasey Phillips. Before the Rebel Girls of the University of Nevada, Las Vegas, learn a new routine, they sit in a circle and simply listen to their music, counting as they go. Whether you’re performing on football fields or on competition stages, in concert halls or on concert tours, all dancers can (and should!) learn to harness the power of perfect unison.Ī strong sense of musicality is crucial for coordinating unison movement. But synchronization isn’t just valuable to dance teams. “The unison score can be what sets two teams with amazing choreography apart,” says University of Tennessee Dance Team coach Kelley Tafazzoli. When it comes to wowing a crowd, there’s nothing quite like unison movement-and when it comes to dancing in unison, “perfect synchronization is what carries the vision of the choreography,” says University of Cincinnati Dance Team coach Jennifer Bernier.įor dance-teamers, the importance of moving in sync is reflected in competition score sheets. ![]() ![]() We’ve all gaped at those YouTube clips of dancers executing fiendish fouetté sequences, complete with doubles, triples and spot-changes, in astonishing unison.
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